Course Library

Chromatic Superimposition

We explore how placing a simple C major triad over different bass notes transforms its function and color, revealing rich harmonic possibilities. From dominant sus to Lydian and modern fusion sounds, this approach deepens our fretboard awareness and unlocks creative voicing options.

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I to IV Chord Change Pt. 2

This session expands the I–IV progression across keys, blending triad movement with rhythmic vamps and major pentatonic lines. By cycling through fourths and layering in extended note choices, the material pushes both fretboard fluency and expressive phrasing.

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I to V Chord Change

This routine sharpens your grasp of I–V movement by connecting triads, pentatonics, and dominant arpeggios across familiar shapes. With a focus on targeting chord tones and hearing harmonic function clearly, the material bridges rhythm and melody in both practice and improvisation.

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I to ii Chord Movement

Major triads become minor with a single note shift, and this session explores that transformation across E, C, and A shapes to unlock the I–ii progression. Through triad-based licks, arpeggios, and chord applications, melodic phrasing becomes more intentional and harmonically grounded.

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Full Pentatonic Workout

This workout locks in minor pentatonic shapes across the neck by tying each to its root and interval structure. Through progressive key shifts and no-gap transitions, it sharpens fretboard fluency, interval recognition, and the ability to move musically in any position.

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Add9 & Minor 9s

Minor add9 and m9 arpeggios take center stage this week, offering lush colors and melodic depth across the fretboard. By using Ebmaj7 as a 3–9 substitution and connecting lines into G7alt resolutions, this routine builds modern phrasing and harmonic fluency from the ground up.

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