Lesson
In this first routine we’re setting up a warm-up that’s perfect for beginners, but it still has enough challenge to get any player’s hands and ears working.
We’re focusing on eighth-note downstrokes to build a solid rhythmic feel and a more expressive picking motion. It’s about learning how to make even simple blues rhythm ideas come alive through dynamics and touch.
We start by outlining a 12-bar blues in A using a classic power-chord pattern that alternates between A and A6. From there, we add subtle accents and palm muting to bring out a more natural groove, the kind you’d actually play on a real track. The goal is to make that simple rhythm feel alive rather than stiff or mechanical.
Next we move to pentatonic scale work, starting with straightforward alternate-picked eighth notes before shifting into a triplet pattern to challenge consistency and timing. It’s not about speed but about keeping that picking hand moving evenly and confidently.
We finish with a more advanced triplet exercise that combines major and minor pentatonic sounds while moving through positions. It’s a great way to stretch the fingers, work on smooth shifting, and develop control. By the end of this warm-up, both hands should feel engaged and ready to take on more demanding blues material.
(This is one of several lessons and routines available!)
Terrific, simple, straight forward, blues examples. Just what I need.